Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film releases in British and Irish theaters from 17 November.
